Tom lives in Auckland and is passionate about pottery. These days she’s living in Boulder, where she works as a science writer for a large science nonprofit-and roams the countryside discovering amazing bits of life on Earth. More info about Tom can be found on the Meet Our Artists page. By selecting Accept all, you consent to our use of cookies. Copy link Twitter Facebook Email Notes The lid of the carnivorous pitcher plant has a seemingly obvious purpose: prevent tropical downpours from swamping the vessel beneath, where concentrated digestive juices carry insects on to glory. You can hear her four-minute acceptance speech. We use cookies to enhance your experience and analyze our traffic. She worked on a small newspaper in Wyoming, winning a 2007 AAAS Science Journalism Award for uncovering a poisonous lichen as the cause of mysterious elk deaths. Read Frazer's profile in Technology Review for her scientific journey, but, in brief, she earned degrees from Cornell in biology and plant pathology, then a master’s in science writing from MIT. “What’s a Sea Pig” gives a short description, “a cross between a star-nosed mole, a naked mole rat, and a hallucinogen-induced, Cthulu-themed nightmare” then links the reader on to the real definition. Jennifer Frazer SM ’04, a science writer living in Boulder, CO, set out to be a scientist, “but like many science writers, realized in horror that I didn’t want to spend the rest of my life in a windowless lab staring at racks of Eppendorf tubes filled with clear liquids.” You can benefit from her lab exit by reading the newest entry on the Slice of MIT blogroll-the Artful Amoeba, her commentary on the wonders of biological diversity.Ī recent post, “How Many Salamanders Can Dance on the Head of a Pin,” describes the 2007 discovery of the tiny patch-nosed salamander (pictured). I was drawn to this exhibit for its use of computers, a technology I associate with order and efficiency, to create beautiful and often chaotic-looking works.Newly discovered in Georgia. In his work, Davis takes software that was already in place, like Adobe Illustrator and Macro Media Flash and uses it in ways in which it wasn’t intended. In fact, Joshua Davis has mentioned being influenced by Jackson Pollock because Pollock’s paint-splattering technique bears resemblance to the randomness of computer programming and its application to art-the artist is not always aware of what the final product will look like. I have my own view (I think it’s more the. As I’ve mentioned before, it’s not at all clear whether it’s a truly reciprocal relationship, or if the fungus is shamelessly exploiting the alga. crunchy coating) is usually fungus, and the inside is stuffed with a fluffy algal filling. This print was not by someone simply going into a software program and creating something, but by an artist actually developing the algorithms to produce a work indeed, in this genre of art, the programming becomes part of the creative process. The lichen is both fungus and alga the exterior (i.e. All of the works in our exhibition were by artists who not only use the computer to generate art, but who create their own code. I chose this work for a couple of reasons. All amoeba artwork ships within 48 hours and includes a 30-day. This particular print was created in 2005. Shop for amoeba wall art from the worlds greatest living artists and iconic brands. or search for amoeba shapes or amoeba shape to find more great stock images and vector art. The Block acquired this print during our exhibition Imaging by Numbers: A Historical View of the Computer Print in winter 2008.Īt the time of our exhibition, Davis was at the height of his career. Jennifer Frazer, an AAAS Science Journalism Awardwinning science writer, authored The Artful Amoeba blog for Scientific American. Choose from 4388 Amoeba stock illustrations from iStock. From what I researched, Davis has been a colorful personality and presence in the art field: he’s covered with tattoos and has influenced a number of other artists and graphic designers. It’s by Joshua Davis, an artist born in 1971. I chose this work from the Block’s computer-generated prints collection. Joshua Davis, Amoeba, from the series Once Upon a Forest, 2005, inkjet print. Now we’ve decided to let you in on the fun. Staff at the Block Museum recently began sharing their favorite works from our collection with each other on a weekly basis.
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